Visnu Temple, Kiradu, Rajasthan
 
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Visnu Temple, Kiradu, Rajasthan

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Bulletin of American Academy of Ben...

The Akasalinga Finial

The Nandi Image of Tamilnadu and Ka...

A Propos of the Santinika Kula of K...

A Propos of Vacaka Asvasena

A Propos of the Yapaniya Affillatio...

An Early Image of the Aditya from T...

Arya Bhadrabahu

An Earlier Reference to Salaturiya ...

Apropos of Mahavacaka Arya Nadi Ks...

Arhat Parsva and Dharanendra Nexus:...

Arhat Parsva with Dharanendra in Hy...

The Gothic in Indian Temple Archite...

A Note of the Older Parts of the An...

A Propos of Dharma Suri-Gunacandra ...

A Propos of the Deva Suri-Kumudacan...

Jaina Sculpture in Harasur Temple

Modhera, Modha-vamsa, Modha-gaccha ...

On the Vrsamandapa at Mahakuta

Some Early Sculptures from Indonesi...

Some Early Sculptures from Ujjain

The Date of the Dancing Hall of the...

The Royal Donor and Adorer Figures ...

The Vastusastras of Western India

The Madala and Modillion in Archite...

Two Early Vasudeva Images and Jina ...

Candesa in North Indian Tradition

Reflections on the Terminology and ...

Temples and Sculptures at Chohtan

The Minarets of the Hilal Khan Qazi...

The Temple of Mahavira at Ahar and ...

The Morphology of the Trident Emble...

The Old Temple at Lamba and Kamesva...

COLA SCULPTURE

Renaissance and the Late Maru-Gujar...

GANDHARVA-MAN RAKTI

GANGA JAINA SCULPTURE

"HISTORY OF INDIAN ART AND INDIAN S...

HARIHARA IN CAMBODIAN INSCRIPTIONS ...

KSEMANKARI: THE CULT IMAGE OF THE A...

LATE GUPTA SCULPTURES FROM PATAN AN...

MATTAVARANAM IN VASTUSASTRAS

NAGADAS ANCIENT JAINA TEMPLE

NEW SOURCES ON THE GENESIS MYTH OF ...

NOTICES ON BUDDHIST ARCHITECTURE IN...

ON THE IMPLICATIONS OF THE NAGNYAI-...

PRASAD AS COSMOS

PROFESSOR HARIVALLABH BHAYANI-BIOGR...

SANTARA SCULPTURE

THE CREED-AFFILIATION OF SAMIDDHESV...

THE MAITRAKA AND THE SAINDHAVA TEMP...

THE NAGABANDHA AND THE PANCANGAVIRA...

URJAYATGIRI AND JINA ARISTANEMI

SANTARA ARCHITECTURE

SCULPTURES FROM KALESHWARI-NI NAL

SOME DECPRATIVE PANELS OF JAVA'S CA...

SOME IMAGES OF ARTHA MALLI

SOME LESS KNOWN VERSES OF SIDDHASEN...

SOME MEDIEVAL WESTERN INDIAN MUSICA...

SOME NEWLY DISCOVERED AND LESS KNOW...

THE JAINA ARCHITECTURE AND ICONOGRA...

THE WESTERN INDIAN JAINA TEMPLE

THE ARCHITECTURAL DATA IN THE NIRVA...

THE DRAVIDIAN SCULPTURES IN PRE IMP...

THE JINA AND NIRGRANTHA AGAMIC AND ...

TWO LESS KNOWN WORKS OF BILHANA

UMASVATI IN EPIGRAPHICAL AND LITERA...

BHUTAS AND BHUTANAYAKAS ELEMENTALS ...

THE BELGOLIAN BAHUBALI AND WESTERN ...

THE DATE AND AUTHORSHIP OF NYAYAVAT...

THE DATE OF VIDYANANDA-LITERARY AND...

PROFESSOR JAGADISHCHANDRA JAIN: REM...

THE DATE OF THE AJITA-SANTI-STAVA O...

THE PRANALA IN INDIAN SOUTH-ASIAN A...

THE VIMALA PERIOD SCULPTURES IN VIM...

YOGANARAYANA AND BALAMUKUNDA FROM H...

TEMPLES IN KUTCH SYMPHONY IN STONE

THE EARLIEST PORTIONS OF DASAVAIKAL...

THE TIRTHAS OF PARSVANATHA IN GUJAR...

THE NAGENDRA GACCHA

THE ARCHITECTURAL AND ICONOGRAPHICA...

THE GENESIS AND DEVELOPMENT OF MARU...

THE MAITRAKA AND THE SAINDHAVA MONU...

THE MULANATHADEVA TEMPLE IN MANDALI

THE PROBLEMS ON PRAMANAMANJARI

THE INFLUENCE OF SAMARANGANA SUTRAD...

THE NILAKANTHESVARA TEMPLE AT KEKIN...

THE VYALA FIGURES ON THE TEMPLES OF...

THE WESTERN INDIAN PILGRIM NOTICE O...

BRAHMANASVAMI TEMPLE AT VARMAN

THE ARUNESVARA TEMPLE AT KASINDRA

THE DATE OF APARAJITAPRCCHA

THE GANDHARVA FIGURES FROM OSIA AND...

THE ARCHITECTONICS OF THE "SASTRIYA...

THE ICONOGRAPHY OF SACCIYA DEVI

THE JAINA TEMPLES IN HARASUR

THE JAINA JINENDRABUDDHI AND INCIDE...

THE VYALA FIGURES ON THE MEDIAEVAL...

APROPOS OF MAHAVACAKA ARYA NANDI KS...

A PROPOS OF THE IMAGE OF JINA RSABH...

IMAGES OF BRAHMA FROM NAGARA, KHAMB...

SOME LESS KNOWN BRAHMANICAL DIVINIT...

THE TEMPLE OF MADHUSUDANA AT MUNGTH...

JAVANESE PITHIKAS OF SIVALINGA

A PROPOS OF THE BOTIKA SECT

NATAPUTTA IN EARLY NIRGRANTHA LITER...

THE DATE OF KUNDAKUNDACARYA

THE CHRONOLOGY OF THE SOLANKI TEMPL...

A RUINED SOLAR-SAIVA TEMPLE NEAR CH...

ACYANTADHAJA JOGI: HERMIT WITH THE ...

GANGA TRIPATHAGA

SCHOLAR-EMPEROR AND A FUNERARY TEMP...

THE CASE OF THE BHIM KI CHAURI TUIN...

TO WHAT GOD SHALL WE RENDER HOMAGE ...

THE MANDASOR SILK WEAVERS' INSCRIPT...