CENTER FOR ART AND ARCHAEOLOGY 
Taj Mausoleum, West face, detail: Engaged bundled colonnettes and rope mouldings framing the pishtaq. Delicate relief carvings of plant elements is reserved for the lowest zone of the building where it could be immediately appreciated by the viewer. Each pishtaq is accentuated by a large inscription in sulus script in a band on its rectangular frame.
Taj Mausoleum, Eastern face, detail: The terrace is dominated by the outer dome, which rises with its high drum like an independent tower in the center. The dome has bulbous profile with a crowning element formed of lotus leaves and from this rises a kalash (finial). The dome is surrounded by four chhatris. The arcades of the chhatris consist of multi-cusped arches.
Taj Mausoleum, Eastern face, central part: The pishtaq is accentuated by a large inscription in sulus script in a band on its rectangular frame. The texts are selected passages from the Quran which relate to the eschatological programme of the building with references to the Last Judgment, divine forgiveness, and the reward of the faithful in Paradise. The spandrels are filled with flowery arabesques in red, green and dark yellow in inlay. The inner walls of the iwan are patterned with blind arches alternating with cartouches.
View of the Taj Mausoleum
View of the Taj Mausoleum
View of the Taj Mausoleum
View of the Taj Mausoleum
View of the Taj Mausoleum
View of the Taj Mausoleum
Taj Mausoleum and garden, general view from the top of main entrance: The garden is the heart of the Taj Mahal Complex. The large square is divided by two main walkways (khiyaban) into four quadrants. Each quadrant is further divided by narrower cross-axial walkways. The garden was supplied with water from the Yamuna river through an aqueduct. The original planting is a not a well known aspect of the garden. The present lawns, flowers and trees are maintained by the Horticultural Branch of the ASI.
Taj Mausoleum and garden, general view from the top of main entrance: The garden is the heart of the Taj Mahal Complex. The large square is divided by two main walkways (khiyaban) into four quadrants. Each quadrant is further divided by narrower cross-axial walkways. The garden was supplied with water from the Yamuna river through an aqueduct. The original planting is a not a well known aspect of the garden. The present lawns, flowers and trees are maintained by the Horticultural Branch of the ASI.
Taj Mausoleum and garden, general view from the top of main entrance: The garden is the heart of the Taj Mahal Complex. The large square is divided by two main walkways (khiyaban) into four quadrants. Each quadrant is further divided by narrower cross-axial walkways. The garden was supplied with water from the Yamuna river through an aqueduct. The original planting is a not a well known aspect of the garden. The present lawns, flowers and trees are maintained by the Horticultural Branch of the ASI.
Main entrance on south to Taj Mausoleum, portal, west half: The great gate called darwaza-i rauza (gate of the mausoleum) is clad in red sandstone and white marble. White marble frames the dominant portal arch in the center and then decreases towards the corner towers. The corners are accentuated by engaged towers (minarets). At the bottom left end of the frame is the signature of the calligrapher Amanat Khan and Hijri date 1057 (1647/48 CE). The great gate doesn't have an outer dome.
Main entrance on south to Taj Mausoleum compound, upper part: The great gate called darwaza-i rauza (gate of the mausoleum) is clad in red sandstone and white marble. White marble frames the dominant portal arch in the center and then decreases towards the corner towers. The corners are accentuated by engaged towers (minarets). At the bottom left end of the frame is the signature of the calligrapher Amanat Khan and Hijri date 1057 (1647/48 CE). The great gate doesn't have an outer dome.
Main entrance on south to Taj Mausoleum compound, General view: The great gate called darwaza-i rauza (gate of the mausoleum) is clad in red sandstone and white marble. White marble frames the dominant portal arch in the center and then decreases towards the corner towers. The corners are accentuated by engaged towers (minarets). At the bottom left end of the frame is the signature of the calligrapher Amanat Khan and Hijri date 1057 (1647/48 CE). The great gate doesn't have an outer dome.
Main entrance on south to Taj Mausoleum compound, Southeast corner: The great gate called darwaza-i rauza (gate of the mausoleum) is clad in red sandstone and white marble. White marble frames the dominant portal arch in the center and then decreases towards the corner towers. The corners are accentuated by engaged towers (minarets). At the bottom left end of the frame is the signature of the calligrapher Amanat Khan and Hijri date 1057 (1647/48 CE). The great gate doesn't have an outer dome.
Main entrance on south to Taj Mausoleum compound, Interior: The bronze lamp was commissioned by Lord Curzon from the Mayo School of Art at Lahore that was installed in 1909 after being exhibited in England. The side rooms are used as offices of the ASI for the administration of the monument.
Main entrance on south to Taj Mausoleum compound, Interior, domical ceiling: The central vault of the great gate is developed from points, either five-pointed stars or partial stars arranged in concentric circles. The stars form the knots of the geometrical network of the vault which creates kite-shaped compartments. The lower part of each compartment shows three intersecting arches linked to the points of the stars. Closer to the apex the kite shapes become compressed and contain only two intersecting arches. The apex of the vault appears in a whirl pattern, resting on the tops of intersecting arches which form the transition from the main network below.
Main entrance on south to south Taj Mausoleum compound, superstructure, northern face: The roof of the great gate is accentuated with small white marble cupolas; the north and south pishtaqs are each topped by a row of eleven cupolas (chaukhandi) set between the freestanding guldastas of the engaged colonettes that frame the central part of the facades.
Main entrance on south to Taj Mausoleum compound, superstructure, southern face: The roof of the great gate is accentuated with small white marble cupolas; the north and south pishtaqs are each topped by a row of eleven cupolas (chaukhandi) set between the freestanding guldastas of the engaged colonettes that frame the central part of the facades.
Main entrance on south to Taj Mausoleum compound, south facade, upper part
Main entrance on south to Taj Mausoleum compound, south facade, west half: The great gate called darwaza-i rauza (gate of the mausoleum) is clad in red sandstone and white marble. White marble frames the dominant portal arch in the center and then decreases towards the corner towers. The corners are accentuated by engaged towers (minarets). At the bottom left end of the frame is the signature of the calligrapher Amanat Khan and Hijri date 1057 (1647/48 CE). The great gate doesn't have an outer dome.
Main entrance on south to Taj Mausoleum compound
Main entrance on south to Taj Mausoleum compound