CENTER FOR ART AND ARCHAEOLOGY

Subject: Naga dvarapala

Subject: Naga dvarapala

Subject: Gana

Subject: Gods in attendance of Visnu, Sesasayi panel, South jangha, rathikabimba, detail

Subject: Visnu Sesasayi, South jangha, rathikabimba, detail

Subject: Visnu Sesasayi, South jangha, rathikabimba, detail

Subject: Visnu Sesasayi panel, South jangha

Subject: Celestial attendant, Visnu Sesasayi panel, South jangha, rathikabimba, detail

Subject: View from East; Selomangleng translates as "hole in the rock"; gua means cave.

Subject: Entrance with male guardian deity; Selomangleng translates as "hole in the rock"; gua means cave.

Subject: Left wall: Scenes from the Arjunawiwaha (Marriage of Arjuna), Arjuna's Meditation, left portion: Indra and attendants; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Left wall: Scenes from the Arjunawiwaha (Marriage of Arjuna), Arjuna's Meditation, center portion: Celestial nymph descending on clouds; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Left wall: Scenes from the Arjunawiwaha (Marriage of Arjuna), Arjuna's Meditation, right portion: Celestial nymphs bathing at river's edge; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Rear wall, relief: Scenes from the Arjunawiwaha (Arjun's Meditation): Enthroned Indra and celestial figures; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Rear wall: Scenes from the Arjunawiwaha (Marriage of Arjuna) , Left portion: Enthroned Indra; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Rear wall: Scenes from the Arjunawiwaha (Marriage of Arjuna) , Enthroned Indra, Left portion: Figures at base of throne; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Rear wall: Scenes from the Arjunawiwaha (Marriage of Arjuna) , Right portion: Celestial figures on clouds over forest; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Right wall: Scenes from the Arjunawiwaha (Marriage of Arjuna) , Arjuna with celestial nymphs and receiving instruction; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Right wall: Scenes from the Arjunawiwaha (Marriage of Arjuna) , Left portion, Celestial nymph standing at river's edge; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Right wall: Scenes from the Arjunawiwaha (Marriage of Arjuna) , Left portion: Arjuna with the celestial nymphs, Suprabha and Tilottama; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Right wall: Scenes from the Arjunawiwaha (Marriage of Arjuna) , Center portion: Arjuna receiving instruction; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Right wall: Scenes from the Arjunawiwaha (Marriage of Arjuna) , Right portion: Three male figures; The Arjunawiwaha (Marriage of Arjuna), inspired by Canto 10 of the Mahabharata, was composed by Javanese poet Mpu Kanwa ca. 1035. The first section is illustrated at Gua Selomangleng and Gua Pasir, both caves at Tulungagung. The other two sections are illustrated at Candi Surowono, Kediri district.

Subject: Main Hall, from left front

Subject: Mandapa