CENTER FOR ART AND ARCHAEOLOGY

Subject: Sri Devi

Subject: Back, Vishnu

Subject: Profile, from right, Vishnu

Subject: Vishnu

Subject: Head and bust, from right [Vishnu]

Subject: Vishnu

Subject: Krishna at Ashvamedha Ceremony

Subject: Elopement of Horse and Bird

Subject: Center portion, Elopement of Horse and Bird

Subject: Hero Babhruyahana Fights Anudhautya, Is this King Babhruvahana?, son of Arjuna.

Subject: Meghavarna Flies away with Horse

Subject: Lower portion, Meghavarna Flies away with Horse

Subject: Scene from the Mahabharata, possibly depicting Arjuna and the horse in the city of women, Naripura; Asvamedha scene from the Jaimini Asvamedha

Subject: Scene from the Story of Babhruvahana, Folio from a Mahabharata ([War of the Great Bharatas); Vrishaketu and Bhima Fight King Yavanatha

Subject: A Wounded Envoy Before Arjuna

Subject: The Death of Anudhautya

Subject: Painting used by a wandering bard (chitrakathi) at public performances. This is a folk painting, meant to be held up during public performances. The crude forcefulness in execution is typified by the use of betal nut juice spat at the painting to simulate blood. These paintings have generally been attributed to a place in Maharashtra called Paithan, which was then part of Hyderabad state. [Babhruvahana Shoots the Ardha Candrakrti Vana to Vrsaketu]

Subject: The Mahasiddha (Great Adept) Luyipa

Subject: The Hindu God Revanta and Companions

Subject: A Jain Family Group

Subject: Column One, base: Lion; One of Two Columns

Subject: Column Two: Kirtimukha; One of Two Columns

Subject: Column Two: Gandharva; One of Two Columns

Subject: Column Two, upper portion, Ganesh; One of Two Columns