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Total No. of Images:1299

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Site Name: Bodhgaya

Date:

Subject: Image of Shiva-Parvati on the platform that was asserted by Cunningham to be the spot described by Chinese pilgrim Xuanzang as the place where Lord Buddha gazed constantly (animeshalochana) at the Bodhi Tree.

Site Name: Varanasi

Date: 800-899 CE

Subject: Parvati in jangha niche, Valabhi type shrine model

Site Name:

Date: 1104 CE

Subject: Siva-Parvati (Loose sculpture)

Site Name: Ashapuri

Date: 800-899 CE

Subject: Parvati (?)

Site Name: Patan

Date: ca 1075 CE

Subject: Parvati performing penance, third terrace, north wall, between third and well end pavilion, east end

Site Name: Patan

Date: ca 1075 CE

Subject: Parvati performing penance, fourth terrace, south wall

Site Name: Mungthala / Mungathala

Date: 1025 CE

Subject: East rathika, Siva-Parvati panel

Site Name: Nalanda

Date: 700-899 CE

Subject: Parvati standing

Site Name: Khajuraho

Date: 1002 CE

Subject: Parvati seated

Site Name: Bilgi/ Bilagi

Date: ca 1570 CE

Subject: Vimana, west wall, Siva-Parvati on jali

Site Name: Patan

Date: ca 1075 CE

Subject: Parvati performing penance, fourth terrace, south wall, between third and well end pavilion, west end

Site Name: Malhar / Malhaar

Date: 600-699 CE

Subject: Right (south) doorjamb, Inner face, detail: Siva-Parvati in Kailasa

Site Name: Patan

Date: ca 1075 CE

Subject: Parvati performing penance, fourth terrace, south wall

Site Name: Kanchipuram

Date: 700-725 CE

Subject: To right of bhadra, South recess, Siva-Parvati seated

Site Name: Patan

Date: ca 1075 CE

Subject: Parvati performing penance, fourth terrace, north wall, in between well end pavilion and third pavilion

Site Name: Pachar

Date: 600-699 CE

Subject: Siva-Parvati parinaya

Site Name: Kurkihar (hoard)

Date: 700-899 CE

Subject: Parvati standing

Site Name: Ellora

Date: ca 556-601 CE

Subject: Southern vithika, west wall, Siva-Parvati panel

Site Name: Voimedu

Date: 1000-1099 CE

Subject: Devi as Uma: Uma/Parvati is standing in tribhanga (triple bent) pose on a lotus pedestal over a bhadra peetah. The hands are seen in kataka and Iolahasta. She has a karanda mukuta and makara kundalas. Armlets, bracelets, padasaras (ornaments), necklaces and yajnopavita (sacred thread) have also been sculpted.