CENTER FOR ART AND ARCHAEOLOGY

Subject: Navagrahas

Subject: Dvarasakha (doorjamb), Garbhagrha (sanctum sanctorum) of the Sas Temple

Subject: North doorjamb, Garbhagrha (sanctum sanctorum) of the Sas Temple

Subject: South doorjamb, Garbhagrha (sanctum sanctorum) of the Sas Temple

Subject: Garbhagrha (sanctum sanctorum) of the Bahu Temple

Subject: South doorjamb, Garbhagrha (sanctum sanctorum) of the Bahu Temple

Subject: South doorjamb, Garbhagrha (sanctum sanctorum) of the Bahu Temple

Subject: Lintel, Garbhagrha (sanctum sanctorum) of the Bahu Temple

Subject: Udumbra (doorsill), Garbhagrha (sanctum sanctorum) of the Bahu Temple

Subject: West side, bottom architrave, Ramagrama (?)

Subject: General view

Subject: Sangita-Mandapa; Painted ceiling; Scenes from the life of Vardhamana (top to bottom) 1. Vardhamana getting the spirit of world-flight and the Laukantikas appearing before him just then and reminding him that it was time for him to renounce the world and take to diksha; Vardhamana proceeding to the forest for diksha in a palanquin. 2. Vardhamana performing diksha; Vardhamana going out for charya and partaking of food offered by King Kula of Kulagrama 3. Vardhamana spending all his karma and doing penance to obtain kevala-janana; Vardhamana becoming a kevali and the devas worshipping him after the event in the Gandhakuti.

Subject: View of the ornamentation of the stupa's base. The base has regularly spaced pilasters creating niches, a form also seen in the brick structures at Nalanda. The base must have been more elaborate with the stucco covering the brick fully intact and probably formed sculptural decor within the niches.

Subject: View of the ornamentation of the stupa's base. The base has regularly spaced pilasters creating niches, a form also seen in the brick structures at Nalanda. The base must have been more elaborate with the stucco covering the brick fully intact and probably formed sculptural decor within the niches.

Subject: View of the stupa. The base composed of three square terraces belongs to the 4th-5th century, according to signage at the site but Frederick Asher suggests a date of 8th-9th century on the basis of the brickwork.

Subject: View of the stupa. The base composed of three square terraces belongs to the 4th-5th century, according to signage at the site but Frederick Asher suggests a date of 8th-9th century on the basis of the brickwork.

Subject: View of the stupa. The base composed of three square terraces belongs to the 4th-5th century, according to signage at the site but Frederick Asher suggests a date of 8th-9th century on the basis of the brickwork.

Subject: View of the stupa. The base composed of three square terraces belongs to the 4th-5th century, according to signage at the site but Frederick Asher suggests a date of 8th-9th century on the basis of the brickwork.

Subject: View of the stupa. The base composed of three square terraces belongs to the 4th-5th century, according to signage at the site but Frederick Asher suggests a date of 8th-9th century on the basis of the brickwork.

Subject: Nagraja, seated

Subject: Sangita-Mandapa, Jain diagram of adhaidvipa

Subject: General view of tank, now repurposed as a field, with steps on the north side

Subject: General view of tank, now repurposed as a field, with steps on the north side

Subject: General view of tank, now repurposed as a field, with steps on the north side