CENTER FOR ART AND ARCHAEOLOGY

Subject: Sanibar lagi Bastra for Lord Jagannatha. Baralagi Pata is a silk fabric used by the Jagannatha deities on different days of the week. The colors used in Baralagi Pata are of different colors for different days of the week. The colors symbolize the particular days of the week. These are: Somvaar (Monday) - Black with white spot; Mangalvaar (Tuesday) - Red, Yellow and Blue stripes; Budhvaar (Wednesday) - Green; Guruvaar (Thursday) - Orange, Yellow; Shukravaar (Friday) - White; Shanivaar (Saturday) - Black/Deep Blue and Ravivaar (Sunday) - Red.

Subject: Budhabar lagi Bastra for Lord Jagannatha. Baralagi Pata is a silk fabric used by the Jagannatha deities on different days of the week. The colors used in Baralagi Pata are of different colors for different days of the week. The colors symbolize the particular days of the week. These are: Somvaar (Monday) - Black with white spot; Mangalvaar (Tuesday) - Red, Yellow and Blue stripes; Budhvaar (Wednesday) - Green; Guruvaar (Thursday) - Orange, Yellow; Shukravaar (Friday) - White; Shanivaar (Saturday) - Black/Deep Blue and Ravivaar (Sunday) - Red.

Subject: Jagannatha Cotton Scarf. A scarf with the Jagannatha triad and a traditional border.

Subject: Baladevjew Vastra . Baladevjew Temple is a temple in Kendrapara, Odisha and Balarama is its main divinity. However, Jagannath and Subhadra are also worshipped in the main temple. This fabric is related to this temple.

Subject: Baladevjew Vastra . Baladevjew Temple is a temple in Kendrapara, Odisha and Balarama is its main divinity. However, Jagannath and Subhadra are also worshipped in the main temple. This fabric is related to this temple.

Subject: Gotipua Dance. The Gotipua traditional dance is considered to be the forerunner of the famous classical Odissi dance form. In Oriya, ‘goti’ means single and ‘pua’ means boy. For many centuries young boys dressed as girls perform the Gotipua dance form to praise Lord Jagannatha.

Subject: Mahari Dance Costume. Mahari is a ritualistic dance form from Odisha that used to be performed at the Jagannatha temple by devadasi dancers called maharis. Since the abolition of the devadasi system, the dance has been discontinued at the temple but is now performed on stage. This set consists of Banarasi Sari with Blouse, Bandha Sari and ornaments consisting of Thin Bangles-16 pcs, Thick Bangles-8 pcs, Kumbhir muhan Bangle-2, Sankha-2, Palla-2, Copper Bala-2, Pauji-1 pair, Goda Bala-1 pair, Benga Patia-1, Anta Phula-1, Bajubandha-1 pair, Necklace-5,Chikka-1, pendi phula-1 pair, khosa phula-1, mathamani-1, Guna Dandi-1, Hatha padma & hatha mudi-1, Bataphala hara-1, Suna phala hara-1, Pahuda banki-1 pair, Bela patri hara-1, khosa hara-1, chudi-1,Chanda hara-1, saree-1, Chikka-2 no., mudi-5 no., nakaphula-2 pcs. This costume was procured from Mahari Dancer Guru Rupashree Mohapatra.

Subject: Mahari Dance Costume. Mahari is a ritualistic dance form from Odisha that used to be performed at the Jagannatha temple by devadasi dancers called maharis. Since the abolition of the devadasi system, the dance has been discontinued at the temple but is now performed on stage. This set consists of Banarasi Sari with Blouse, Bandha Sari and ornaments consisting of Thin Bangles-16 pcs, Thick Bangles-8 pcs, Kumbhir muhan Bangle-2, Sankha-2, Palla-2, Copper Bala-2, Pauji-1 pair, Goda Bala-1 pair, Benga Patia-1, Anta Phula-1, Bajubandha-1 pair, Necklace-5,Chikka-1, pendi phula-1 pair, khosa phula-1, mathamani-1, Guna Dandi-1, Hatha padma & hatha mudi-1, Bataphala hara-1, Suna phala hara-1, Pahuda banki-1 pair, Bela patri hara-1, khosa hara-1, chudi-1,Chanda hara-1, saree-1, Chikka-2 no., mudi-5 no., nakaphula-2 pcs. This costume was procured from Mahari Dancer Guru Rupashree Mohapatra.

Subject: Mahari Dance Costume. Mahari is a ritualistic dance form from Odisha that used to be performed at the Jagannatha temple by devadasi dancers called maharis. Since the abolition of the devadasi system, the dance has been discontinued at the temple but is now performed on stage. This set consists of Banarasi Sari with Blouse, Bandha Sari and ornaments consisting of Thin Bangles-16 pcs, Thick Bangles-8 pcs, Kumbhir muhan Bangle-2, Sankha-2, Palla-2, Copper Bala-2, Pauji-1 pair, Goda Bala-1 pair, Benga Patia-1, Anta Phula-1, Bajubandha-1 pair, Necklace-5,Chikka-1, pendi phula-1 pair, khosa phula-1, mathamani-1, Guna Dandi-1, Hatha padma & hatha mudi-1, Bataphala hara-1, Suna phala hara-1, Pahuda banki-1 pair, Bela patri hara-1, khosa hara-1, chudi-1,Chanda hara-1, saree-1, Chikka-2 no., mudi-5 no., nakaphula-2 pcs. This costume was procured from Mahari Dancer Guru Rupashree Mohapatra.

Subject: Mahari Dance Costume. Mahari is a ritualistic dance form from Odisha that used to be performed at the Jagannatha temple by devadasi dancers called maharis. Since the abolition of the devadasi system, the dance has been discontinued at the temple but is now performed on stage. This set consists of Banarasi Sari with Blouse, Bandha Sari and ornaments consisting of Thin Bangles-16 pcs, Thick Bangles-8 pcs, Kumbhir muhan Bangle-2, Sankha-2, Palla-2, Copper Bala-2, Pauji-1 pair, Goda Bala-1 pair, Benga Patia-1, Anta Phula-1, Bajubandha-1 pair, Necklace-5,Chikka-1, pendi phula-1 pair, khosa phula-1, mathamani-1, Guna Dandi-1, Hatha padma & hatha mudi-1, Bataphala hara-1, Suna phala hara-1, Pahuda banki-1 pair, Bela patri hara-1, khosa hara-1, chudi-1,Chanda hara-1, saree-1, Chikka-2 no., mudi-5 no., nakaphula-2 pcs. This costume was procured from Mahari Dancer Guru Rupashree Mohapatra.

Subject: Mahari Dance Costume. Mahari is a ritualistic dance form from Odisha that used to be performed at the Jagannatha temple by devadasi dancers called maharis. Since the abolition of the devadasi system, the dance has been discontinued at the temple but is now performed on stage. This set consists of Banarasi Sari with Blouse, Bandha Sari and ornaments consisting of Thin Bangles-16 pcs, Thick Bangles-8 pcs, Kumbhir muhan Bangle-2, Sankha-2, Palla-2, Copper Bala-2, Pauji-1 pair, Goda Bala-1 pair, Benga Patia-1, Anta Phula-1, Bajubandha-1 pair, Necklace-5,Chikka-1, pendi phula-1 pair, khosa phula-1, mathamani-1, Guna Dandi-1, Hatha padma & hatha mudi-1, Bataphala hara-1, Suna phala hara-1, Pahuda banki-1 pair, Bela patri hara-1, khosa hara-1, chudi-1,Chanda hara-1, saree-1, Chikka-2 no., mudi-5 no., nakaphula-2 pcs. This costume was procured from Mahari Dancer Guru Rupashree Mohapatra.

Subject: Mahari Dance Costume. Mahari is a ritualistic dance form from Odisha that used to be performed at the Jagannatha temple by devadasi dancers called maharis. Since the abolition of the devadasi system, the dance has been discontinued at the temple but is now performed on stage. This set consists of Banarasi Sari with Blouse, Bandha Sari and ornaments consisting of Thin Bangles-16 pcs, Thick Bangles-8 pcs, Kumbhir muhan Bangle-2, Sankha-2, Palla-2, Copper Bala-2, Pauji-1 pair, Goda Bala-1 pair, Benga Patia-1, Anta Phula-1, Bajubandha-1 pair, Necklace-5,Chikka-1, pendi phula-1 pair, khosa phula-1, mathamani-1, Guna Dandi-1, Hatha padma & hatha mudi-1, Bataphala hara-1, Suna phala hara-1, Pahuda banki-1 pair, Bela patri hara-1, khosa hara-1, chudi-1,Chanda hara-1, saree-1, Chikka-2 no., mudi-5 no., nakaphula-2 pcs. This costume was procured from Mahari Dancer Guru Rupashree Mohapatra.

Subject: Mahari Dance Costume. Mahari is a ritualistic dance form from Odisha that used to be performed at the Jagannatha temple by devadasi dancers called maharis. Since the abolition of the devadasi system, the dance has been discontinued at the temple but is now performed on stage. This set consists of Banarasi Sari with Blouse, Bandha Sari and ornaments consisting of Thin Bangles-16 pcs, Thick Bangles-8 pcs, Kumbhir muhan Bangle-2, Sankha-2, Palla-2, Copper Bala-2, Pauji-1 pair, Goda Bala-1 pair, Benga Patia-1, Anta Phula-1, Bajubandha-1 pair, Necklace-5,Chikka-1, pendi phula-1 pair, khosa phula-1, mathamani-1, Guna Dandi-1, Hatha padma & hatha mudi-1, Bataphala hara-1, Suna phala hara-1, Pahuda banki-1 pair, Bela patri hara-1, khosa hara-1, chudi-1,Chanda hara-1, saree-1, Chikka-2 no., mudi-5 no., nakaphula-2 pcs. This costume was procured from Mahari Dancer Guru Rupashree Mohapatra.

Subject: Mahari Dance Costume. Mahari is a ritualistic dance form from Odisha that used to be performed at the Jagannatha temple by devadasi dancers called maharis. Since the abolition of the devadasi system, the dance has been discontinued at the temple but is now performed on stage. This set consists of Banarasi Sari with Blouse, Bandha Sari and ornaments consisting of Thin Bangles-16 pcs, Thick Bangles-8 pcs, Kumbhir muhan Bangle-2, Sankha-2, Palla-2, Copper Bala-2, Pauji-1 pair, Goda Bala-1 pair, Benga Patia-1, Anta Phula-1, Bajubandha-1 pair, Necklace-5,Chikka-1, pendi phula-1 pair, khosa phula-1, mathamani-1, Guna Dandi-1, Hatha padma & hatha mudi-1, Bataphala hara-1, Suna phala hara-1, Pahuda banki-1 pair, Bela patri hara-1, khosa hara-1, chudi-1,Chanda hara-1, saree-1, Chikka-2 no., mudi-5 no., nakaphula-2 pcs. This costume was procured from Mahari Dancer Guru Rupashree Mohapatra.

Subject: Mahari Dance Costume. Mahari is a ritualistic dance form from Odisha that used to be performed at the Jagannatha temple by devadasi dancers called maharis. Since the abolition of the devadasi system, the dance has been discontinued at the temple but is now performed on stage. This set consists of Banarasi Sari with Blouse, Bandha Sari and ornaments consisting of Thin Bangles-16 pcs, Thick Bangles-8 pcs, Kumbhir muhan Bangle-2, Sankha-2, Palla-2, Copper Bala-2, Pauji-1 pair, Goda Bala-1 pair, Benga Patia-1, Anta Phula-1, Bajubandha-1 pair, Necklace-5,Chikka-1, pendi phula-1 pair, khosa phula-1, mathamani-1, Guna Dandi-1, Hatha padma & hatha mudi-1, Bataphala hara-1, Suna phala hara-1, Pahuda banki-1 pair, Bela patri hara-1, khosa hara-1, chudi-1,Chanda hara-1, saree-1, Chikka-2 no., mudi-5 no., nakaphula-2 pcs. This costume was procured from Mahari Dancer Guru Rupashree Mohapatra.

Subject: Gotipua Dance. The Gotipua traditional dance is considered to be the forerunner of the famous classical Odissi dance form. In Oriya, ‘goti’ means single and ‘pua’ means boy. For many centuries young boys dressed as girls perform the Gotipua dance form to praise Lord Jagannath.

Subject: Jagannath

Subject: Shrine to left of cave, Tirthankara inside

Subject: Pillars in interior

Subject: Upper storey, Interior pillar, detail

Subject: Parsvanatha seated

Subject: Rsabha and another Tirthankara

Subject: Sarvanubhuti in left of shrine

Subject: Ambika to right of shrine