CENTER FOR ART AND ARCHAEOLOGY

Subject: Free standing elephant holding garland in his trunk

Subject: Front elevation, plan and section

Subject: Northeast wing, terrace, northeast bastion's chhatri along with battlemented parapet and elevated circular/rectangular apertures over chambers' ceilings

Subject: Wall, Elephant procession probably of Bharata (reaching Chitrakuta with retinue)

Subject: Third Terrace, Compound, Relief, Elephant

Subject: Vedika, northwest quadrant, outer face, pillar, detail, central medallion, elephant rider emerging out of a tiled building

Subject: Porch, left end pillar, surmounted by a male and female couple on a pair of elephants

Subject: Upper portion, Half-medallion with animal fight and elephant-makara frieze; Stupa Vedika (Railing), Upright

Subject: Back, Eleven-Headed Avalokitesvara

Subject: Construction began under Raja Man Singh I, Akbar's army commander, and was completed by Mirza Raja Jai Singh and Sawai Jai Singh over a period of about two centuries; Unlocated panel: Elephant

Subject: Saptamatrkas flanked by, Vinadhara and Ganesa. The mothers from left to right as identified from their vehicles, attributes and features are 1. Brahmani on goose (hamsa) holding a ladle; 2.Mahesvari on bull with trident (trisula) in her hand; 3. Kaumari on peacock with a spear (Sakti); 4. Vaishnavi on Garuda with a mace; 5. Varahi with a boar head on his vehicle probably buffalo; 6. Indrani on elephant (Airavata) with her weapon Vajra (now missing) and lastly; 7. Chamunda with sunken belly, garland of human skulls (mundamala) and riding over human corpse (Pretavahana). Each of the female deities holds a child on her left side

Subject: Court entrance, Elephant to right

Subject: Within second enclosure, south wing proper, frontal elevated courtyard with stairways leading to multifoiled central doorway

Subject: East Wall, Southern End, Elephant Terrace, Mounted elephants fighting animals; Part of the walled city of Angkor Thom, the Elephant Terrace is all that remains of the foundation platform

Subject: Calendar Stone. The circle, triangle, elephant, and dragon represent particular numbers. The circle, symbolic of the sun, represents the number one.

Subject: Left portion, Visvantara gives away the Royal Elephant to a neighboring community; Lintel Fragment, Visvantara (Vessantara) Jataka

Subject: Sabhamandapa, interior row of elephants in parapet

Subject: Platform, Northeast Corner with Elephant, from East; Built during the reign of Rajendravarman.

Subject: Porch, Rear wall, right, Buddha and Mad Elephant: Elephant

Subject: Vedika, northwest quadrant, inner face, pillar, elephant with rider

Subject: Folio 5, Ritumat (Rtumat) Garden in Trikuta mountain: Silver mountain; Gajendra Moksham. The episode of Vishnu saving the king of elephants (Gajendra) from the jaws of the crocodile. [Gajendra Moksham (Liberation of Gajendra, the King of the Elephants)]

Subject: Front elevation, Central arch, right side, right side fluted pilaster and inscriptions in sandstone bordered with series of floral motif

Subject: Gomukha yaksa, seated on elephant

Subject: Leather puppets of Karnataka are called Togalu Gombe Atta. "Togalu" means leather, "Gombe" means doll and "Atta" means dance. Such a composite elephant was produced by the gopis to keep Krishna from leaving. The lead rider could be Krishna but he is bending a bow like that of Kamadeva, the God of Love, who has also been portrayed on just such an elephant. The second rider seems to have wings and may be Garuda rather than Balarama. ['Togalu Gombe Atta' Style Shadow Figure of Nav Nari Kunjar, a Composite Elephant Made Up of Nine Women]