Subject: Sarvatobhadrika showing Siva on a third face
Site Name: Mundeshwari
Date: 600-625 CE
Subject: Siva with attendants
Site Name: Thiruvidaimarudur
Date: 1200-1299 CE
Subject: Shivakamasundari: Parvati stands on a lotus pedestal over a square Bhadra Sana, has a karandamakuta (crown resembling a basket) on her head. She wears makara kundalas in her ears. Her right hand is in the attitude of ahuyavarada (gesture of invitation and charity) and the left hand is in lolasana (pendant pose).
Site Name: Nagda
Date: ca 975 CE
Subject: Parasurama and Shiva, Mulaprasada (shrine proper), south bhadra (central offset)
Site Name: Thruthuraipoondi
Date: 851-899 CE
Subject: Mahakala: Mahakala is the violent and vengeful aspect of Shiva. He is venerated as the annihilator in this form. His face radiates his wrathful nature.
Site Name: Darasuram
Date: 1146-1173 CE
Subject: Bhiksatana-Kankala, detail of gana: Ganas in Indian sculpture are gnomelike, they dance and make music and are forms of the irrepressible joy of life. Other ganas in Shiva's retinue are caricatures of the human condition, or liberated beings who dwell in Shiva's presence.
Site Name: Darasuram
Date: 1146-1173 CE
Subject: Bhiksatana-Kankala, detail of gana: Ganas in Indian sculpture are gnomelike, they dance and make music and are forms of the irrepressible joy of life. Other ganas in Shiva's retinue are caricatures of the human condition, or liberated beings who dwell in Shiva's presence.
Site Name: Darasuram
Date: 1146-1173 CE
Subject: Bhiksatana-Kankala, detail of gana: Ganas in Indian sculpture are gnomelike, they dance and make music and are forms of the irrepressible joy of life. Other ganas in Shiva's retinue are caricatures of the human condition, or liberated beings who dwell in Shiva's presence.
Site Name: Darasuram
Date: 1146-1173 CE
Subject: Bhiksatana-Kankala, detail of gana: Ganas in Indian sculpture are gnomelike, they dance and make music and are forms of the irrepressible joy of life. Other ganas in Shiva's retinue are caricatures of the human condition, or liberated beings who dwell in Shiva's presence.
Site Name: Darasuram
Date: 1146-1173 CE
Subject: Bhiksatana-Kankala, detail of gana: Ganas in Indian sculpture are gnomelike, they dance and make music and are forms of the irrepressible joy of life. Other ganas in Shiva's retinue are caricatures of the human condition, or liberated beings who dwell in Shiva's presence.
Site Name: Voimedu
Date: 1650 CE
Subject: Mahesvari: In this form, Devi takes the attributes of her consort Shiva. She is seated in the lalitasana (royal ease) posture.
Site Name: Bodhgaya
Date:
Subject: This is a platform immediately north of the temple, that has Pala period sculptures shaded by a large tree. Among them is an image of Shiva-Parvati, Ganesha and Bodhisattva Avalokiteshvata. This platform was asserted by Cunningham to be the spot described by Chinese pilgrim Xuanzang as the place where Lord Buddha gazed constantly (animeshalochana) at the Bodhi Tree.
CENTER FOR ART AND ARCHAEOLOGY 
