The Encyclopaedia of Indian Temple Architecture, Vol. I, Pt.4-A (Plates). South India: Dravidadesa: Later Phase, c. A.D. 1289-1798. George Michell (ed.), U. S.  Moorti (Coordinator). 2001. New Delhi: American Institute of Indian Studies.

The Encyclopaedia of Indian Temple Architecture,  Vol. II, Pt.1 (Text).  North Indian Style, c. 250 B.C.-A.D. 1100.  Michael W. Meister, M.A. Dhaky, and Krishna Deva (eds.).  1988.  New Delhi and Princeton: American Institute of Indian Studies and Oxford University Press.

The Encyclopaedia of Indian Temple Architecture,    Vol. II, Pt.1 (Plates).  North Indian Style, c. 250 B.C.-A.D. 1100.  Michael W. Meister, M.A. Dhaky, and Krishna Deva (eds.).  1988.  New Delhi and Princeton: American Institute of Indian Studies and Oxford University Press.

The Encyclopaedia of Indian Temple Architecture,  Vol. II,  Pt. 2  (Text).  North India: Period of Early Maturity, c. A.D. 700-900.  Michael W. Meister and M.A. Dhaky (eds.). 1991.  New Delhi and Princeton: American Institute of Indian Studies and Oxford University Press.

The Encyclopaedia of Indian Temple Architecture,  Vol. II,  Pt. 2  (Plates).  North India: Period of Early Maturity, c. A.D. 700-900.  Michael W. Meister and M.A. Dhaky (eds.). 1991  New Delhi and Princeton: American Institute of Indian Studies and Oxford University Press.

The Encyclopaedia of Indian Temple Architecture, Vol.II, Pt.3 (Text).  North India: Beginnings of Medieval Idiom, c. A.D. 900-1000. M.A. Dhaky (ed.).  1998.  New Delhi: American Institute of Indian Studies and Indira Gandhi National Centre for the Arts.

The Encyclopaedia of Indian Temple Architecture, Vol.II, Pt.3 (Plates).  North India: Beginnings of Medieval Idiom, c. A.D. 900-1000. M.A. Dhaky (ed.).  1998.  New Delhi: American Institute of Indian Studies and Indira Gandhi National Centre for the Arts.

This digital book reassembles the text and paintings of the fifth sub-book of the Ramcaritmanas—the beloved Sundarkand—as they appeared in the Chitra Ramayan, with accompanying notes by Philip Lutgendorf that identify the text accompanying each painting and point out some of the details of the artists’ interpretations. 

The late Maharaja Vibhuti Narayan Singh of Banaras agreed, in 1977, that a photographic record of the Chitra Ramayan be created in case its sole original copy was ever lost or destroyed. The Center for Art and Archaeology of the American Institute of Indian Studies photographed the entire manuscript volume-by-volume and page-by-page and carefully preserved the images for half a century in the CA&A archive currently located at the AIIS headquarters building in Gurugram, Haryana, India. A digitisation of this collection has been supported by the Modern Endangered Archives Program at the UCLA Library with funding from Arcadia, a charitable foundation that works to protect nature, preserve cultural heritage, and promote open access to knowledge.