Books on Clay Art in Ancient India :

1

Beard, Mary, Religions of Rome, Cambridge; Cambridge University Press, 1998.

2

Al-Saleh, Yasmine, “Amulets and Talismans from the Islamic World,” In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art,  2000.  http://www.metmuseum.org/toah/hd/tali/hd_tali.htm (June 2023)

3

Altaweel, Mark, and Andrea Squitieri. “Long-Distance Trade and Economy before and during the Age of Empires.” In Revolutionizing a World: From Small States to Universalism in the Pre-Islamic Near East, London: UCL Press, 2018, pp.160-78. https://www.jstor.org/stable/j.ctt21c4td4.10

4

Beard, Mary. Pompeii: The Life of a Roman Town. London: Folio Society, 2013.

5

Begley, Vimala, and De Puma, Richard Daniel, Rome and India: The Ancient Sea Trade, Ann Arbor: University Microfilms International, 2004.

6

Bhargava, K. D., Indian seals: Problems and prospects, Faridabad: National Archives of India, 1960.

7

Ahuja, Naman P., Art and Archaeology of Ancient India: Earliest Times to the sixth century, Oxford: Ashmolean Museum, 2018.

8

Bhattacharyya, Dipak Chandra, Gandhara sculpture in the Government Museum and Art Gallery, Chandigarh: In the light of the International Colloquium held in 1998 at Chandigarh, Chandigarh: Government Museum and Art Gallery, 2002.

9

Boussac, Marie-Françoise, and Jean-François Salles, eds., Athens, Aden, Arikamedu: Essays on the interrelations between India, Arabia, and the eastern Mediterranean. New Delhi: Manohar, 2005.

10

Errington, Elizabeth, and Joe Cribb, eds., The Crossroads of Asia : transformation in image and symbol in the art of ancient Afghanistan and Pakistan, Cambridge: Ancient India and Iran Trust, 1992.

11

Altaweel, Mark, and Andrea Squitieri. “Material Culture Hybridization.” In Revolutionizing a World: From Small States to Universalism in the Pre-Islamic Near East, London: UCL Press, 2018, pp. 179–98.  https://www.jstor.org/stable/j.ctt21c4td4.11

12

Bon, Sara E. and Rick Jones, “A City Frozen in Time or a Site in Perpetual Motion? Formation Processes at Pompeii",  Essay, In Sequence and Space in Pompeii, Oxford: Oxbow Books, 1997, pp. 7-12. 

13

Connor, Simon and Federica Facchetti,  Amuleti Dell’Antico Egitto, Modena: Franco Cosimo Panini, 2017.

Journal Articles on Clay Art in Ancient India :

1

Ahuja, Naman P. “One Mother, Many Mother Tongues,” Gandhara: A Confluence of Cultures, Marg. Vol. 70, No. 4, June (2019), pp. 28-46.

2

Brancaccio, Pia. “Satavahana Terracottas: Connections with the Hellenistic Tradition.” East and West, Vol. 55, No. 1/4 (2005), pp. 55–69. http://www.jstor.org/stable/29757636.

3

Abdullaev, Kazim, "Reutilization of Old Images for New Iconographic Generations: The Question of the Destiny of Greek Images in the Post-Hellenistic Period". East and West, Vol. 52, No. 1/4 (2002), pp. 53-69. http://www.jstor.org/stable/29757540.

4

Desai, Devangana, “Social Dimensions of Art in Early India,” Social Scientist, Vol. 18, No. 3 (1990), pp. 3–32.  https://www.jstor.org/stable/3517423

5

Brancaccio, Pia, “Looking to the West: Stone Molds and Foreign Visual Models in Satavahana Material Culture (First-Second Century CE),” Archives of Asian Art Vol. 64, No. 1 (2014), pp.  33–41. http://www.jstor.org/stable/43676732.

6

Burton, Paul J., “The Summoning of the Magna Mater to Rome (205 B.C.),” Historia: Zeitschrift Für Alte Geschichte, Vol, 45, No. 1 (1996), pp. 36-63.https://www.jstor.org/stable/4436406

7

D’Ancona, Mirella Levi. “An Indian Statuette from Pompeii,” Artibus Asiae, Vol.13, No. 3 (1950), pp. 166–80.  https://www.jstor.org/stable/3248502

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Mauryans and Ashoka

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Indo-Islamic Monuments in Haryana & Punjab

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Banaras Ghats, Varanasi, Uttar Pradesh

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Ambika Temple, Jagat, Rajasthan

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Musical Instruments in Indian Art

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Clay Art in Ancient India