Sarai Dakhni is a well-preserved Mughal-period caravansarai or rest house located amid fields west of the Nakodar–Kapurthala Road near Mahlian Kalan in Jalandhar district of Punjab. Built during the reign of Shah Jahan (r. 1628–1658) by Muqarrab Khan Deccani, also known as Rustam Khan Bahadur Firuz Jung, the sarai follows a square plan with imposing east and west gateways, corner octagonal bastions topped by domed pavilions, and a courtyard surrounded by rows of cells. Constructed of lakhori bricks with red sandstone, glazed tiles, and lime mortar, the complex includes a mosque in the southern enclosure, noted for its floral wall paintings, and evidence of a former hammam nearby. Declared a protected monument by the Archaeological Survey of India (Chandigarh Circle) in 1919, the sarai survives in good condition, though it shows surface weathering and loss of some glazed decoration.
Sarai Lashkar Khan is a late Mughal caravansarai
or rest house located near Kot Panaich in Ludhiana district of Punjab,
approximately 300 metres southwest of the Grand Trunk Road. An inscription on
the eastern gateway records its construction in 1080 AH (1669–70 CE) by Lashkar
Khan, a Mughal military general under Emperor Aurangzeb. Built of lakhori
bricks with red sandstone and lime mortar, the sarai is planned as a square
enclosure with double-storied gateways, octagonal bastions, rows of cells, a
mosque in the southern half of the courtyard, and two wells. The monument is
protected by the Department of Cultural Affairs, Archaeology and Museums,
Punjab and survives in generally good condition, set within an open rural
landscape, with minor surface weathering and vegetation growth visible.
Sarai Nurmahal is a Mughal-period rest house
located to the south of Nurmahal town in Jalandhar district of Punjab. An
inscription records its construction between 1028–1030 AH (1618–21 CE) under
the patronage of Nur Jahan Begum, through her governor, Nawab Zakariya Khan.
Planned as a square enclosure with octagonal corner bastions, the sarai
features a monumental western gateway richly carved with figural, floral, and
geometric motifs, as well as a mosque and a hammam within the courtyard. Today,
the monument is under the Archaeological Survey of India (Chandigarh Circle) with
portions adapted for public use.