CENTER FOR ART AND ARCHAEOLOGY

Acchayalingaswami temple, Kilvelur, Thanjavur, Tamil Nadu

Achalgadh, Sirohi, Rajasthan

Achlesvara Temple, Achalgadh, Sirohi, Rajasthan

The American Council for Southern Asian Art (ASCAA) Digital Images were first distributed under the aegis of the ACSAA Color Slide Project, a non-profit initiative administered through the former Asian Art Archives of The University of Michigan that from 1974 through 2006 provided high quality original and duplicate 35 mm color slides of the art and architecture of India and greater South Asia, Southeast Asia and Indonesia, and the Himalayan regions to individuals and institutions for teaching and research purposes around the world.

The American Council for Southern Asian Art (ASCAA) Digital Images were first distributed under the aegis of the ACSAA Color Slide Project, a non-profit initiative administered through the former Asian Art Archives of The University of Michigan that from 1974 through 2006 provided high quality original and duplicate 35 mm color slides of the art and architecture of India and greater South Asia, Southeast Asia and Indonesia, and the Himalayan regions to individuals and institutions for teaching and research purposes around the world.

The Adalaj Stepwell was built in 1499 CE during the reign of Sultan Mahmud Begada (1458-1511 CE). The stepwell was commissioned by Queen Ruadabai, wife of Raja Virasimha. Raja Virasimha who, according to scholars, started the stepwell, was killed in battle with Mahmud Begarah, which has led to much speculation about who was the patron of the stepwell and the reasons why the stepwell was constructed.

 

The Adalaj stepwell is of the Late Maru-Gurjara style. It has a stepped corridor that descends into the well. These steps allow the visitor to go and retrieve water, take part in Tirthayatra, or pilgrimage, or to look at the decorative ornamentations that illuminate the stepwell’s walls.

 

The corridor is made of an arcade of pillars and pilasters. The pillars are in the bhadraka style, that is squares with recesses and are highly decorated with their serpentine buttresses and bell pendants. The decorative motifs in the opened niches represent composites of animals, kalpavraksha tree of life, vines, swirling trees, or a full lotus. The inscriptions praise the stepwell and compare it to the Ganges and Mount Kailash because of its beautiful ornamentation that creates this idea of another realm or place that is important.

References:

Purnima Mehta Bhatt, Her Space, Her Story: Exploring the Stepwells of Gujarat, 2014

Jutta Jain-Neubauer, The Stepwells of Gujarat: In Art-historical Perspective, 2003.

Morna Livingston, Steps to Water: The Ancient Stepwells of India, 2002.

Darielle Mason Frame, Form, and Variation in the Maha-Gurjara Temple, 1995.